Narratives in a Time of Crisis is a MoVE (method.visual.explore) project that uses citizen journalism as a participatory (arts-based) research strategy to prioritize the perspectives, needs and concerns of international and domestic migrants involved in sex work in South Africa. The project invited a small group of individuals to share their stories of love, hope and hardship following one of the world’s harshest Covid-19 lockdowns.
Read moreJoin us today (23 September 2021) at 15:30 – 17:30 (SAST) for the launch of a new book edited by maHp/ACMS postdoctoral researcher Duduzile Ndlovu, ‘Moving Words: Poetry In/ As Research’.
Read moreIn this dispatch ACMS/maHp postdoctoral researchers Rebecca Walker and Elsa Oliveira reflect on ‘Mwangaza Mama’, an arts-based storytelling project that they undertook in collaboration with a group of seven migrant women from across the African continent, who are now living in Johannesburg.
Read moreSecurity at the Margins (SeaM) is a three-year collaboration between the University of Edinburgh and African Centre for Migration & Society (ACMS) that uses interdisciplinary research to understand (in)security in marginalised communities in urban South Africa.
Read moreMwangaza Mama is a creative storytelling project that was undertaken in collaboration with a small group of cross-border migrant women living in Johannesburg. Inspired by previous MoVE work, the main aim of the two-year project was to learn more about migrant women’s everyday experiences of the city by including them in the production of knowledge about issues that affect them.
Read moreIn this chapter, maHp researchers Elsa Oliveira and Jo Vearey present and discuss three related participatory arts-based research projects conducted in partnership with Sisonke: the national sex worker movement in South Africa.
Read moreA consistent aspect of method:visual:explore projects (MoVE) has been the partnerships that create the conditions necessary for various projects to occur. Most MoVE projects usually occur in some partnership with a specialist social organisation, and sometimes, with another research body. This post takes stock of some of these connections.
Read morePostdoctoral fellow Becky Walker reflects on the “Life in the City” arts-based research project, which explores the experiences of women who are migrants and mothers living in inner-city Johannesburg.
Read moreCome join the Migration and Health Project Southern Africa (maHp) team! We are seeking to recruit two post-doctoral fellows.
Read moreVisual researcher Quinten Williams shares his notes and reflections on the Stitching our [HIV] Stories: Activist Quilts project’s origins, the workshop process, and the exhibition of the work.
Read moreIn this paper, we explore the opportunities – and challenges – associated with visual research methodologies.
Read moreNasty Women blogger Joy Watson reviews maHp’s KNOW MY STORY participatory arts-based research project.
Read moreThis exhibition showcases the pictures, collages and stories created during the KNOW MY STORY project; an arts-based research that explored the lives, struggles and reasons for selling sex. The event will include a discussion, dance performance, and role play.
Read moreThis blog entry offers a facilitator’s glance into the day to day activities that comprise a participatory arts-based workshop conducted in partnership with a grassroots activist organisation.
Read moremaHp/ACMS postdoctoral researcher Becky Walker’s latest blog reflections on her current arts-based research project with migrant women/mothers from the Democratic Republic of Congo (DRC) and Burundi who live in inner-city Johannesburg, and are seeking asylum.
Read more#artsmethods provides spaces for dialogue between the multiple stakeholders involved in developing, undertaking and sharing visual, arts-based research projects.
Read moreOliveira, E. and Vearey, J. (eds) (2016) The Sex Worker Zine Project. MoVE and ACMS: Johannesburg
Read moreThe #artsmethods 3 Symposium held at the 10th to 11th November in the Worker’s Museum, Newtown mined the unstable territory of images and ‘collaborative arts’, and the conditions of their creation.
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